She Flips, and then She Flops (With a Little Help from Amazon, Unsurprisingly)

This is me throwing in the towel and accepting the inevitable. I have to take my lumps because the goal posts keep getting moved. I'm starting off this post on a downer of a note, but you know me: I'm simply being candid. 

Okay, so firstly, my recent price change in response to Draft2Digital's new policy punishing low-selling authors never reached Amazon. That store is still posting my books at the old price even after three months of waiting (two? two and a half?). And when I received my royalty statement for June, I found that sales completely disappeared over at Kobo, Barnes and Noble, and Apple, while they spiked over at Amazon. Gee, I wonder why...

On top of all that, I'm still pretty sickened by what I was forced to do, so seeing my royalties as well as where the sales all came from, I just went fuck this! and reverted all of my prices back to the old ones. 

I haven't sold a single book at the higher price, of course, and I'm not surprised. 

Self-publishing gurus will say "it's best to sell less at a higher price than more at a lower price". I get it. I do. But I know my readership, and I know my niche. Been in here for almost twenty years, for heaven's sake. I know. What small number I have are loyal, and I'm not willing to betray them because some CEO decided that we low-earners aren't good enough. 

So I'll take my lumps. I'm back to selling my long novellas at the 99 cent price point, and that's that. I'll pay the $12 "maintenance fee" on my next anniversary as a D2D writer. 

Another thing I did was update my Payhip site with the new prices as well as take the sale away. There's no reason to anymore since the point of the sale was to mitigate the effects of more expensive books. No more. I'm just glad -- for once -- that I haven't sold a thing over there, or I'll be owing folks refunds left and right. 

Now I know I started this post on a downer note, but I actually had all day to think about this, and as I'm about to log off and get ready for bed, I'm feeling pretty good about it. Sure, the loss of money with that stupid maintenance fee sucks, but I'm happy with my reversal, and this feels much more comfortable for me. 

So again, I'm so sorry for the whiplash, everyone. Be assured this will be my final post on the matter, and when The Shadow Groom is finally out, I'll be offering another BOGO sale (or something like BOGO) over at Payhip to celebrate the release.  

Next Up: Valérian

So when I said "soon", I clearly meant "in a week, yo". 😶 Yeah, life happened, alas. 

Anyway, I've just started work on Valérian, which is enjoying copious notes-spawning in my notebook. I'm really looking forward to this story as it's been getting pretty expansive in my head, and I've also got some pretty effective musical and visual inspiration for it. 

This image, which I'll be using in the gallery page for the book down the line, has been lurking in my hard drive for a good long time, and it's finally making itself "heard". I know it's most likely AI-generated, but I couldn't find anything else just as fantastical and creepy as hell that's from real-life cemeteries, so I apologize for its usage (to be honest, a lot of the images I've used for my gallery pages were AI-generated, which seems to be the thing now over at Pinterest, my go-to place for visual prompts). 

Then there's this song, which pretty much encapsulates the subject of the book:

I talked about that song as well as "Daniel" in an older post, and as with the image above, they're finally getting the story treatment. When the time comes for the gallery page to be made, it's going to be an embarrassment of riches for me regarding the images that can be used for the moodboard and other things. 

Yay, progress! 

'The Shadow Groom' Gallery Page Now Up

As I'm up to my ears in errands and chores, this'll be a short and sweet post. The gallery page for The Shadow Groom is now up, and there's quite a bit of background stuff I'm sharing with visitors there. Head on yonder for the goodies. 

And I'll be back soon. Maybe not today, no, but soon.  

'The Shadow Groom' Blurb

Getting there! I just finished the first round of revisions and edits, and I'm about to dive right back in for the next round. In the meantime, I submitted the book to Draft2Digital to format, so I can download my proof copy and use it for that purpose (and to have it listed ahead of time for pre-orders).

And along with that comes the book blurb. I was aiming for 250 words maximum, but it ended up blasting past and landing at around 260. At least it's not 300, eh?

All is well and perfect in the world because Errol Bricksworth and Edvin Loyola-Norikova are young (too young), in love (overly so), and betrothed at just nineteen (heaven help everyone). Their families aren’t very keen on the idea, and with the help of Errol’s beloved Uncle Sorrel, an arrangement is made meant to test the lads’ resolve to have their happily-ever-after.

It does require three months spent in an old, old gatehouse that’s not only home to mismatched furnishings, art, and miscellaneous contents spanning centuries, but a few very active ghosts as well. Errol and Edvin are to be the gatehouse’s caretakers while Uncle Sorrel, who owns the property, withdraws with his tiny staff to a cozy cottage tucked away in the wood. And for three months, both young men need to get their hands dirty, learn the rudiments of domestic life as a couple (learning how to cook helps), and get used to sharing space with lives long gone.

Errol and Edvin’s youth makes them brave and even reckless as they readily accept the terms, determined to prove those poxy adults wrong. Even those resident ghosts don’t bother them, though not all hauntings, apparently, are made the same. Equal parts irritating and unnerving, the ghosts gradually force the lads to think beyond their tiny world of two either through spectral echoes of long-forgotten lives or the quiet guidance of a gentleman known only as “the shadow groom” to former staff. 

The Shadow Groom is a humorous re-imagining of the German folktale “The Story of the Youth Who Went Forth to Learn What Fear Was”.

As always, there might be some tweaking still for the blurb, but at least it's one significant step forward short of pressing "publish" on my author dashboard.  

Calendar Changes and Updated Cover Art

As I work my way through The Shadow Groom, I'm already sorting out my notes and my book queue. For a while, I had Camera Obscura slated for November 1, but looking through my journal, I'm amassing a hefty amount of (very pushy) notes for Valérian. There are a number of things still needing to sort out with Camera Obscura, and I'm not going to steamroll my way through those missing patches of plot points. Done it before, and it didn't turn out well (see: Eidolon).

To that end, I'm rearranging my publishing calendar and switching dates around. Camera Obscura will be released next year while Valérian will leap frog over A House of Profane Gods (which also has way more notes going for it than Camera Obscura, by the way, but not as many as Valérian) for the November slot. 

The book also enjoyed a bit of an upgrade in its cover art now that it's been shuffled forward to an earlier date (it may still be slightly tweaked, but the elements are staying):

It's certainly much more effective than the first cover art I shared. With all that said, here's the new calendar:

2026 calendar

2027 calendar

With any luck, my notes for Camera Obscura will grow along the way. If not, it'll be switching spots once more with A House of Profane Gods. I've already updated my Book News and Book List pages.

In other news, my new book prices are all set at different online stores EXCEPT for Amazon, which is taking its damn sweet time. If you purchase any of my Grotesqueries books there, you'll still be paying 99 cents until they finally post the new price. 

Been a Week

Hard at work in the revision + editing department for The Shadow Groom. At the same time, notes are already stacking up for the next three books in my queue (Camera Obscura, A House of Profane Gods, and Valérian). In the course of which, by the way, I stumbled across a possible plot bunny for a "Pygmalion" retelling. Seeing as how that one's born from a moment of complete dejection, I'm not sure if it'll happen, but if I were to step back and stay focused and objective, I know I can do it.

If it does happen, it'll be something like a dark fairy tale of sorts. The only sticking point is the very personal nature of its source, if you will. I do have these moments on occasion whenever something triggers a specific thought that never fails to leave me depressed, and up until now, no story idea has ever come out of them. 

I've been drowning myself in books, too -- not that I've ever stopped, but up until the last few months, all of my reading's been done via e-book app. Now I'm doing a mixed bag of print (borrowed library books) and e-book (owned or borrowed), which also includes my Bucket List Reading. So far I've managed to read The War of the Worlds some months ago, and the most recent one was Logan's Run. Sadly, I DNF'd Logan's Run as I couldn't get into it, but there are still so many books out there screaming for my attention. So many books, so little time, and no room for regrets. 

I have Don Quixote somewhere in my queue, but considering the book's heft and text size, I'm going to have to finish the current pile of checked out books first before rolling up my mental sleeves and diving in.

My story ideas notebook is almost filled up, so I'm about to get a fresh one. However, I'm also getting into personal journaling as well as commonplace journaling. What I hope to do is mesh all three in one new notebook as a way of pulling myself off the internet and off my apps for longer and longer stretches of time every day. 

I've seen a number of videos on commonplace notebooks and on journaling, and a few of them seem very performative to me and less about the point of the exercise, which is something a person does privately. Anyway, that's the only beef I have about some of the content I've run across (and still run across), and since I've already dipped my toes into the pool for those two (been keeping a story ideas journal for ages now, so I be an expert on that), I already know how best to approach all three as one unit, using only one notebook. 

Hoping that'll yield dividends in the long run as being online is taxing as all hell, and I'm not getting any younger. At least the story ideas notebook has been my best friend for years, so it's just a matter of stretching my personal writing efforts a little further. 

Exclusive Store Sale Now On (and On and On...)

Just a quick post to let everyone know my store-wide perma-sale is now live. Everything -- save for the two novellas in my Dolores collection -- is marked down for all eternity (rather dramatic-sounding, but that's how it is). 

My books, including new titles, are discounted in tiers. The older the collection, the steeper the price drop. It starts with all the Grotesqueries collection at 60% off, which includes Doppelgänger that came out a couple of months ago (so still a baby). And then it goes up incrementally from there: 60%, 65%, 70%, and 75%. 

I was planning to do a BOGO, but Payhip requires an end date for that kind of sale, so I might as well tackle everything in one fell swoop and leave it be. 

When The Shadow Groom comes out, it'll be part of the perma-sale if you purchase it directly from my store. And so on and so forth. And thank you, as always, for your support.

'The Shadow Groom': Done! (Plus a Few More Things About Ye Olde D2D Drama)

Yeah, firstly, The Shadow Groom is done! First draft is complete, and I left myself a lot of room for additional material meant to clarify a bunch of events in the story. This means the revision phase will be rather hardcore, but it's necessary. 

So in celebration, here's the obligatory happy dance video:

Actually, it's a perfect fit for the story, so I'm running with it. 😁 This book is on track (obvs) for the planned July 1 release, and when it's out, I'll be doing another BOGO sale over at my Payhip store to celebrate its publication.

And speaking of Payhip, I had to re-upload the files to the store because all links and end matter material (other than the "about the author" page) needed to be taken out as they all linked back to Draft2Digital. Books still distributed by them will have those pages and links, but not those I'm selling directly.

I'm still salty about raising my prices for the Grotesqueries books, but I'm also going to balance that out by doing perma-sales at my store. I was at first planning to offer monthly specials, but with my recent pivot, it'll be permanent -- as to what the sale would be, I'm looking at a number of options and still need to decide on which.

I do treat my writing and publishing as a business, which means earnings go back into the pot and pay for stuff I need to keep the machine going. Cover art image licenses, domain name, etc. -- those are supposed to be covered by my royalties, and if D2D will be taking an even bigger chunk off that, either I pay out of pocket with my day job earnings (all of which are already accounted for, budget-wise) or via credit card, which is my last resort if things go down that road. 

Do I regret sprouting roots in niche fiction? No. Never did, never will. But this is the way of things, and I gotta roll with the punches if I wish to stick around and see to the long tail of publishing my books.

Again, a final apology for the price bump for my Grotesqueries books and Ghosts and Tea sequels. If you do prefer to own my books as opposed to borrow them from library platforms or subscription services, keep an eye out for the perma-sale I'll be posting about soon.  

In the meantime, this is the final week for the 80% off sale for my Masks and Miscellanous collections. 

A Necessary Pivot (Re: D2D's New Fees)

I managed to talk myself off the ledge and have been trawling the 'net for indie author reactions to the news regarding Draft2Digital's fees, especially the $12 annual maintenance fee to be charged to authors who're already barely scraping by (you know, either new authors or niche authors like me in addition to other publishers and so on). 

And while I lump myself in with the group of unhappy writers who're already seeing our royalties cut down even more, I really had to weigh the benefits and the downsides of delisting my books from D2D and simply starting over elsewhere or just sticking to my Payhip site.

Now...

Payhip is non-negotiable in that it's here to stay even if no one's touching it yet. Maybe down the line I'll end up deleting yet again for that reason, but for the time being, it's staying. 

Losing D2D, however, means losing some of the places where my books have enjoyed a very, very modest amount of movement, i.e., Hoopla and Overdrive, both of which are library platforms (very important to me). I absolutely refuse to lose those as well as the listings I now have over at Bookshop.org and all those small, indie bookstores. 

There's a lot of scammers and bad actors out there trying to game the system for a quick buck, and those of us who are legitimate writers, particularly writers of niche fiction, get swept up in the shitty currents when companies like D2D (rightfully so) do what they can to stem the tide of garbage. And speaking on behalf of other niche writers or writers who're still in the process of finding their audience, we get really burned when our own efforts are so easily dismissed as hobbies or inconsequential noise (because of low sales) and are targeted with fees many of us can't afford.

And after a lot of thinking, rethinking, and future projecting, I'm afraid I'm forced to pivot.

In brief, guys, I have to raise the e-book prices for my entire Grotesqueries collection as well as the novella sequels to the Ghosts and Tea series. 

IT

SUCKS.

But if I want to keep my books in online libraries and other stores, that's one way of bridging the gap and ensuring I cross the minimum threshold that's now expected from everyone. I didn't want to do it, and it was all I could do to stick to a price point that's at the lowest end of the "sweet spot" in indie publishing ($2.99 - $4.99). All those books I referred to are now priced at $2.99. *

I thought at first that people would be more willing to take a chance on someone like me if I kept the price at 99 cents, but a low list price apparently isn't flying as well as I'd hoped. Readers tend to be put off, I think, by low prices since they instill doubt in the quality of the books being sold. ** I don't know how well this new price will go, and, apparently, I'm given till February of 2027 to turn things around or I get more money taken out (in addition to the cut D2D already takes from my gross receipts). 

If it still doesn't pan out by then, I'll go ahead and delist my books and sell direct. *** 

My Payhip store's already updated with the new prices, but one thing that won't change is the fact that my store will be enjoying way more sales than other online stores since it's my personal playground. Heck, it's more important now than ever that I do that, right?   

Anyway, I'm so sorry, everyone. As for print prices, those will stay the same. Print books are expensive as it is, and I'm already gritting my teeth over the e-book pivot. 

I'll be updating my pages throughout the day, so if this place gets a bit wonky, you know why. 

* Incidentally, the $1.99 price point is also somehow ignored or avoided by readers. 

** Here's a page on e-book pricing and perception bias. Guess I was right. 😣 

*** I've opened an account with Ingram Spark as a backup, but I'm still reading up on their services. 

New Draft2Digital Policy = I'm On My Own (How Lovely)

Okay, Draft2Digital just posted a new thing they're doing, which really screws over legitimate writers like me who barely make sales. While the post makes sense and we understand why they're doing it, the platform no longer has everyone's best interests in mind. 

So firstly, there's going to be a fee onboarding new authors. That's not what I'm annoyed about. This is the part that's not good:

Annual Maintenance Fee: An annual maintenance fee of $12 will apply to accounts whose earnings from book sales, meaning your net proceeds after D2D’s commission, total less than $100 over the preceding 12-month period. If you earn $100 or more from your book sales over 12 months, you will not be charged this fee.

I've always been a writer who loves putting out books in a very, very small genre: gay gothic horror. With hardly any romance, at that, so in that sense, I'm already screwed since the books that sell the most are romances of all stripes. And I'm cool with that. I write the kind of books I want to read, and I know there are readers out there who also enjoy them.

Here's the kicker, and I'm going to be up front about my sales: I average less than $10 per month in royalties. That's right. Less than ten bucks. I'm used to it, and I'm lucky enough to be working full-time at a job I actually enjoy. I don't need to make millions off my books, and I like that the pressure to keep putting out books to maintain high earnings isn't there. The last thing I want is for my writing to turn into another job. Know what I mean? That's a shortcut for creative disaster in my case.

So I'm getting backed into a corner. 

Before this, D2D reduced the royalty rates over at their Smashwords store. And then they put a cap on the monthly checks so that you have to earn at least $10 a month for you to enjoy a deposit into your account for each month. So now not only do I earn less from their main store, I also get to be paid every other month. 

That was the reason why I opened (or re-opened) my Payhip store, and as of this post's writing, I've sold nothing over there. It may very well change if I take the nuclear option and pull my books from D2D and simply sell them from my store. That actually would be the ideal solution in the end, but I've always been willing to offer readers as many options as possible. 

I do have an Amazon KDP account, which has been inactive in years, but it's still there. I hardly sell books at Amazon, anyway, regardless, so that's not even on my plate. There are too many things about Amazon that leave a bad taste in my mouth despite their being the largest retailer of e-books. I'd rather take my chances with my piddling direct sales store front. 

Anyway, you can tell I'm not only annoyed, but absolutely dispirited by all this. I'm going to learn to format my own .epub books so I can do everything on my own. Eventually I will be pulling my books from D2D and will be selling direct. Period. The print books will be another thing, too, so we'll have to see. 

I'm not giving up on writing. I do it for the love of the act of storytelling and sharing my weird shit with those who share my taste in fiction. I love adding my books to a tiny, tiny niche and seeing it well-fed, in a manner of speaking. But, yeah -- money talks, and if I don't make it, I have to take my ball and leave the playground. 

At any rate, I'll be talking about this in the future, I'm sure. 

Wherefore Art Thou, Authors?

The thing about being in the thick of writing things is that there's really not much to talk about during that lull. I did pass the 30K-word mark, which usually also starts the paranoia phase of my drafting. I now only have less than 20K words to go to wrap things up, and let me tell you, things go REALLY quickly once that 30K-word line is crossed.

I'm on schedule, and this is going to be a bit of a challenge to revise and edit once the first draft's done.

The folktale I'm basing this on doesn't have a significant resolution, and unlike, say, "The Pied Piper of Hamelin", which I based Compline on, "The Youth Who Went Forth to Learn What Fear Is" is a weird -- albeit funny -- story because in the end, the main character (who's as dumb as a rock) STILL doesn't know how to shudder. Oh, his future wife makes him, of course, but it's got nothing to do with fear at all but, rather, cold water.

There's a lot of satire in the original folktale, though, but as to what, exactly, is being made fun of, I'm not really sure. There are only a number of interpretations from psychologists whose take I've never been a fan of. It's an old oral folktale that the Grimm brothers merely collected for their books, so whatever the point is for that story is lost forever, I think. 

The one thing I can say about the main character in the folktale, though, is that as stupid as he is (or one can argue he's just impossibly naive), he actually displays an impressive amount of compassion and empathy. Oh, he's got no understanding that the people he's trying to help are dead, but the need to help is there.

I am taking a lot of elements from the folktale and rewriting them in my own way to fit my version of it. So Errol and Edvin's ages needed to be bumped down a little more than usual, but I'm not marketing this as a YA book. They're both 19, which allows them to be utterly clueless about life and the world and believing the universe revolves around them still. We all know how it was to think we're indestructible. 

Anyway, that lack of a solid point in the original folktale has been difficult to keep out of my own story, and that'll make for a pretty intensive revision phase with maybe a lot of deletions and new material woven in. Or at least it'll take me longer than usual to get that done. 

In reference to this blog post title, I'm wondering about the "old guard" of writers who've been very active for years and then suddenly dropped off everyone's radar (or significantly cut down on their presence everywhere). It's very difficult, keeping writing and publishing up. It's not only hard actually turning words in your head into readable text following a plot that does everything it needs to do, but also go through the rest of the publishing stages of revising, editing, book cover design, marketing, etc. 

The sudden or gradual disappearance of the authors whose books I own and am happy to add to gives me a lot to think about. Things aren't forever, and life happens to everyone. For those authors with a massive following and who enjoy significantly more success than I, I reckon the added pressure of reader expectations can also burn them out eventually. 

I do miss them. I miss their stories and their voices and only now hope they're all doing well. A handful of go-to writers are still writing and publishing fairly consistently, but they're doing so at a markedly slower pace. I've been trawling Smashwords for new voices to discover now, and the proliferation of AI-written books is putting a damper on things. I did get sucked into maybe four books from "authors" I now actively avoid, but I've also discovered one relatively active writer I'll be following. 

I'm still keeping an eye out and hope to run across more of these new writers. Serendipity rules, man. 

April Store Sale

Life's rough, and sales are good. Apologies for forgetting to update both my Payhip store and this blog, but a late day is better than nothing.

So for all of April, my Masks collection as well as my Miscellaneous collection are 80% off. In essence, most of these books are cheaper than my Grotesqueries novellas, so yay!

This sale lasts through -- yep -- the end of April, and it's only happening at my store. So if you'd like to snag a copy or two of whatever books you might have been on the fence about, go to the following pages for them:

Masks (80% off the entire series including the omnibus)

Miscellaneous (80% off the entire series including all the omnibuses)

There'll be another sale (a different one) in May, and I'm trying to make these offers a monthly thing. Hopefully I'll be a hell of a lot more on top of things by the first of May, but I'm me, and life is life. Anyway, I hope you enjoy the books if you do purchase any, and thank you so much for your support! 

 

La Colline Aux Oiseaux

Hello, Sping. The Bay Area just ended Winter with a freaking heat wave, and I'm glad it's over and that we're set to enjoy milder spring weather in the coming days. Seeing as how it's still hot where I am, I'm unable to go to bed and have been diverting myself with stuff to feed my brain for my weekend writing.

You know, I actually debated adding this song to the gallery page for Doppelgänger, but I honestly didn't start listening to this until the tail end of that book's creation. I didn't listen to any song at all for inspiration, and it was solely by accident that I ran across this one again after a long spell of forgetting it existed. 

Maybe it's sentimental of me to use it, but as it does have a lullaby-like quality, I imagine this melody being hummed by Marguerite when putting little Théodore to bed. 

I've also listened to the English versions of the song, but I don't know how faithful of a translation they are to the original French (the title might come close enough with the English being "Mockin' Bird Hill"). 

At any rate, it's a melancholy touch if I were to apply it to the book and the LaSalle family's backstory. I'm not adding it to the gallery page, though, but posting about it here is good enough. In the meantime, I'm also not listening to any songs for The Shadow Groom although one of the book's original prompts (besides being inspired by the Brothers Grimm fairy tale) was the Gothic album from Nox Arcana, which I listen to religiously alongside other albums from them. 

Hell, given the way my brain works, I might end up recycling ideas that Gothic gave rise to for a future book.   

Big Sale (Payhip), Baby Sale (Smashwords)

So I did a thing. 

But, firstly, a bigger thing, i.e., the big sale over at my Payhip site. When you purchase a copy of Doppelgänger, you can add another book from the Grotesqueries collection for free. This BOGO sale will be on through the end of March, and it's there to help promote my new release. 

So head on over there if you'd like to support me directly.  

Secondly, a baby sale -- this time I decided to hold a 50% off sale through the month of March over at Smashwords for two books specifically: Hell-Knights and The Flowers of St. Aloysius. 

I only plan to offer future BOGO sales of my books over at Payhip, by the way, because I'd like to draw more reader traffic toward that site. It's my personal store, and I have a lot more freedom when it comes to offering sales and other promos. 

As for Smashwords, I decided to try out their site-specific deals via Draft2Digital since D2D now owns Smashwords, and I can play with their coupon manager feature since I can't participate in their tri-annual site-wide blitz sales (the rules aren't flexible enough for me, I'm afraid). For this month, I'm offering the two novels listed above for my first round of sales. Depending on how well this ends up, I might be doing this on a monthly basis, but by and large, my Payhip store will be where the bigger deals are. 

And I'm going to make it a thing now that each new book released -- all of which will be for the Grotesqueries collection -- will mark a month-long BOGO sale linked to that book and the rest of the other long novellas under that heading. That will be the only time I'll be offering any of my 99 cent books at some kind of discount. The rest of the year will be a mix of 60 - 80% off or maybe a limited BOGO for the rest of my backlist.  

I already have two sales set up for April and May (one per month), and I just need to put one together for June before the next big sale for Grotesqueries, i.e., when The Shadow Groom releases on July 1.  

Now Available: 'Doppelgänger' (New Month, New Book, New Sale!)

Finally saw the back of February, and here we are! Seriously, for a short month, it always feels so, SO long, living out every minute of it. Good riddance. 

We are now staring a new month with a new book plus a book sale via my Payhip store. So behold, ladies and gents, Doppelgänger is now available for purchase online in e-book and print formats. Again, here's the blurb:

An impoverished young teacher loses his job when the informal ragged school where he works shuts down. A much-needed stroke of luck, however, brightens Alec Herridge's prospects when he stumbles across a frame-maker's shop and is offered a job. This puts him squarely in the path of an enigmatic and wealthy family from France—expatriates whom gossips whisper about. Something, they say, has followed mother and son to England, and day servants complain about a heaviness in the air whenever the family is at home. 

It's a dark energy that turns its attention to Alec now that his new job requires him to work closely with Marguerite and Théo LaSalle. It also appears to him as a silent lookalike of Théo, its presence marked by whispers in a child's voice. Urging, pleading, desperately reaching out to Alec for help. 

Folklore defines doppelgängers as heralds of ill fortune, but Alec soon discovers there's much more to Théo's double than a warning. That whatever horrible secrets the LaSalle family believes were left behind in France aren't the kind so easily explained away. That something has, indeed, followed them in exile and now refuses to be ignored or forgotten.

Go here for my Payhip store, which is the most direct way folks can support me. But if you prefer to go elsewhere, this is the Books2Read page for it. Links to the print book might take a day or two to update, so keep checking.  

Now here's an incentive for supporting me directly through Payhip (sneaky, sneaky me, I know)...

I talked about how I never put up the books in my Grotesqueries collection for special sales because they're already dirt cheap (many publishing gurus actually advise against doing this because this price point doesn't entice readers the way $2.99 does, but I have my reasons for sticking to things). Well, I changed my mind at least for my Payhip store.

I'm running a BOGO sale to promote my new book, and it involves the entire Grotesqueries collection. So if you buy a copy of Doppelgänger from my store, you can snag a free copy of ANY book from the same collection. The sale runs through the entire month, and it'll be the only sale for March. And, yes, it's only going to be at my store. 

So, yes -- if you purchase the book, I hope you enjoy it, and do leave a review to help it get some traction. Thanks for the support! Woohoo, new book! 

EDIT: If you tried to check out my store sometime yesterday (Feb. 28), you'd have seen the book already set up and available for purchase. Unfortunately, Payhip doesn't allow for pre-orders, so I might as well get that page live before I go to bed. So, hey -- that's one more incentive to buy direct! 😁

New Links and Other Fun Stuff

Okay, so Bookshop.org finally has my e-books listed in one handy page: over yonder, please, for the main page. Use the filter to get to the format of your choice. 

Again, these pages will take you to the online store fronts of small, indie bookstores, which I hope more and more people will support. 

I've hit my stride with The Shadow Groom and am back to the same mental place where I lost myself when I was working on The Twilight Lover, but rather than turn to Blackadder for my inspiration this time around, we're looking at -- of all things -- KPop Demon Hunters (a Netflix film). At its core, it has a real bonkers premise that's also bolstered by a crap ton of ridiculous moments, and I'm here for it. But it also does a terrific job exploring issues of shame and self-loathing without (from what I can see from scattered clips online, that is) undermining those issues with all the color and frenetic movement of a lot of scenes.

And the songs don't help (I mean that in a good way, of course). 

Ironically, I no longer have a Netflix subscription, but I might just re-up for a month if only to watch this movie as well as a couple more that's in their catalogue. I only know about this film through Youtube's algorithms because I've been watching reaction videos to Oscar nominated films, and YT decided to dump a bunch of reaction videos to different clips and songs from KPDH. 

I clicked on one. Then another. Then another. 

Now I can safely say I will be referencing this movie a lot in the future gallery page for The Shadow Groom. Why? Because I'm eating up all the absurdity and the color and the fun vibes of KPDH and using them for inspiration to keep my energy levels up as I power through the chapters. I'm currently hitting the 10K-word mark, and it's been such a fun ride so far. 

And if fans of the film and its soundtrack were to ask, I'm putting the two most subversive songs performed by the the antagonists at the top of my favorites. I mean, come on -- these are great villain songs, one couched in pure bubblegum pop packed with double entendres, the other pretty much being all out on sucking up people's souls. 

I mean...

Damn, "Soda Pop" is so catchy though "Your Idol" is No. 1 with its creepy visuals and its haunting melody (or haunting EVERYTHING about it -- just *chef's kiss*). At any rate, I'm posting these two here so I can go back to them down the line when the time comes.

As an addendum, I'm going to be offering a sale in March, and by that I mean it's in tandem with the release of Doppelgänger, so do watch this space. 

D2D and Bookshop.Org (Yay, Expansion!) -- Also a Writing Update

The most recent news in indie publishing involves Draft2Digital partnering with Bookshop.org for distribution of indie e-books via independent bookstores. 

😄

That means readers can now buy books by self-published writers (who use Draft2Digital) from small, independent bookstores -- not only in print formats, but in digital as well. My print books, for instance, are already listed on Bookshop.org, and I made sure to use that link for my main print store on my navigation menu here and at my Payhip store. 

And now I happily submitted all 49 books on my backlist to Bookshop .org for their digital storefront. And this means readers don't have to go to the bigger and more corporate stores like Amazon, Barnes and Noble, Walmart, etc., for their books in either format.

If I were to limit my reach, I'd delist my books from the big stores and stick to this one, Smashwords, and my Payhip store. Libraries are also a no-brainer. This is something to think about down the line if I want to do some major spring cleaning, especially if my sales channels tend to number less than five despite the ever-widening distribution Draft2Digital is determined to go for (and kudos to them for being aggressive about it).

In writing news, I've already detached myself from Doppelgänger and have begun putting together the character and place list for The Shadow Groom. I already have the first chapter mapped out in my head (and my notebook), and I'll be diving into that tomorrow. Normally I'd be worried about pacing myself, but with my new work schedule, I can breathe more easily, and it'll be no problem catching up on the brief lag with my occasional extra days off. 

The book will be like The Twilight Lover in tone and setting in that it'll be a romantic comedy set in a fairy tale-ish place. I'm also leaning pretty heavily on trope reversals so that the more traditional family unit is bizarre and wild while the more eclectic family unit is more prim and conservative. So we're going to be back to having fun with family dynamics and how they influence our lovebirds. 

So yeah -- first step done, tomorrow will be devoted to the first chapter and Errol's family.  

 

'Doppelgänger' Gallery Page Now Up

Just a quick post here, ladies and gents -- the gallery page for Doppelgänger is now live. However, there are no links to the bookstores yet because the book might be uploaded for preview and pre-order purposes, but the final version is still being worked on. 

So head on down to this page for some tidbits on the book.  

'Doppelgänger' Blurb

Oooh, man, I'm so excited about this book. Now granted it started out completely different, but that version of the book hit a brick wall, and I just had to set it aside and start from square one. And let me tell you all, it was the right decision to make.

And as I continue to work on edits now (revisions are done), I guess it's time to share the book blurb:

An impoverished young teacher loses his job when the informal ragged school where he works shuts down. A much-needed stroke of luck, however, brightens Alec Herridge’s prospects when he stumbles across a frame-maker’s shop and is offered a job. This puts him squarely in the path of an enigmatic and wealthy family from France—expatriates whom gossips whisper about. Something, they say, has followed mother and son to England, and day servants complain about a heaviness in the air whenever the family is at home. 

It’s a dark energy that turns its attention to Alec now that his new job requires him to work closely with Marguerite and Théo LaSalle. It also appears to him as a silent lookalike of Théo, its presence marked by whispers in a child’s voice. Urging, pleading, desperately reaching out to Alec for help.

Folklore defines doppelgängers as heralds of ill fortune, but Alec soon discovers there’s much more to Théo’s double than a warning. That whatever horrible secrets the LaSalle family believes were left behind in France aren’t the kind so easily explained away. That something has, indeed, followed them in exile and now refuses to be ignored or forgotten.

I was originally planning to have it out in April or May when I still had the six-month calendar to work with. But with my day job schedule changing (and it starts this week), I find I'll have just the perfect amount of wiggle room to continue with the more challenging 4-month release dates.

This book's release will now be on March 1 -- not a lot of time left, but that's because of the problems I had that required me to start over. Plus I did take nearly a full month's break as well during the holidays to rest the brain cells. So it's going to be a tight final stretch, but I can do it. My energy levels and motivation are very high this month, and it's going to work out. 

And, you know, this turned out to be a book that ended up being very close to my heart. I've also said this about some of the books on my backlist before, but while I'm proud of everything I've written and published, this is one of the select few that really, truly felt good working on because everything in it means something to me.

Anyway, there's the blurb, and I'll be posting more updates on the book as we get closer to the release date.  

Grabbing the Bull by the Horns

Idioms aside, that's just me making a liar out of myself. I spent the past couple of weeks thinking -- and overthinking -- my future releases given changes taking place at the day job and other situations in the real world. And you know what? Fuck the noise. I'm doing this. Now that it's possible, yeah -- I'm doing this.

But firstly, I made a formal commitment (to myself, anyway) to move forward with the overhaul to Eidolon, which is now called Liminal Child. I'll be tackling that last, but it's officially part of my queue now. 

And I have a cover (why, yes, my name partly disappears again, but I love the image, and I'm keeping it), in which I recycle the hand print that was on the alternate cover for Valérian:

I'm going to hold on to the first five or six chapters with a lot of tweaks worked in. The PoV will shift from Emerick to his two fathers, and the setting will be some amorphous place that's similar to what I originally used in the Curiosities series. I'm going to try to keep things fairly close to the first incarnation of the book with more of a dark fairy tale aesthetic -- which was, to be fair, what the entire Curiosities series was all about. 

I'll figure out the details when I get there, but I do know how to approach the changes overall.

And secondly, bringing us back to the post title, let me repeat myself: fuck the noise. I'm doing it. And that's in reference to the calendar again now that I'm going to be getting some extra time for writing (official confirmation's been done). In brief, ladies and gentlemen, I'm going to go back to the old 4-month calendar. I managed to do that for a few years with a heavy load at the day job, even shifting releases earlier here and there because things went either smoothly or badly enough for me to finish earlier or later than planned. But things are going to change starting February, and I refuse to be at loose ends on the writing front as it's one sure-fire way of driving me crazy.

So this is for 2026 (click the image for a closer look):

And this is for 2027 (ditto):

I do like to keep mentally busy on my extra days off, and that's not counting just kicking back and reading whatever book I've checked out from the library. I want to write, and I love every minute of it despite the excruciating nature of creation. I also work best with a set schedule to guide my pace, and the coming year or two will see an easing of the pressure as well in spite of the reversal to the 4-month plan.

Over the years, I was more like a steady workhorse with my writing. This year feels a little different even though we barely started the second half of the first month of 2026. I feel oddly lighter despite what I'm seeing around me (real world-wise, that is), and I want to take that energy and motivation and run with them. 

I'd like to be not so much a steady workhorse this time around, but an aggressive and steady workhorse. An odd combo, but there it is. That's my aim. I want it, and I'm going for it. Part of it has to do with my Payhip store and my second attempt at selling direct to readers. I wasn't too sure in my first attempt and was easily discouraged by it (plus I was on social media, too, which didn't help my efforts), but with all the changes I've discussed pertaining to Draft2Digital's policies, I don't want to be passive about stuff. It was good while it lasted, but if things change, I have to pivot accordingly if I want to keep doing what I'm doing and benefit from it, no matter how little.

So, yeah -- I'm going for it. God help me, I am. 😈

P.S. I'll updating my Book News page later this week to reflect this change.